Cover Story





scales



Another episode started in the middle of 1998 and left dangling until the fall of 1999.


In the summer of 1998, I decided that I really had to try to get down on paper the most vivid scenes from several episodes that had been planned for some while but had had nothing written on them.  For almost a year, I had been otherwise occupied with rewriting the old episodes into the new expanded format; and I didn’t want any of the ideas lurking in my mind to fall in the crack and get forgotten.  At the same time, I started listing brief story outlines for less well envisaged episodes.  Many of these are still extremely sketchy, but may get enfleshed for Season V.  Back in the summer of 1998, however, I did not want to take the time to work out in detail things that were not already fairly well in mind.  I simply wanted to get down as much as possible of the vivid stuff as fast as I could manage to get them down on disk, just in order to ensure that they were saved.  “A Richer Dust” (at that time called “A Friend in Need”), “A Pure Woman”, “Cover Story”, and “Eyewitness” (scheduled in Season V) all had significant portions written at that time; and I also wrote some lengthy “orphan” scenes.

Of course, once I had down the most vivid scenes for these episodes, their urgency faded.  So, in the fall of 1998, when I did start to write new episodes in their entirety, it was other ones I wrote out, not these:  “Daddy’s Girl”, “The Fruit of the Tree of Knowledge”, and “The Kiss of Death”.  And then my father died, which was quite disruptive of my train of thought.  In the fall of 1999, though, I decided to start writing again—and to start with what seemed like a relatively straightforward job, namely finishing some of the episodes that had already been started.



The basic idea for “Cover Story” is an obvious story concept—so obvious that, as with “Hunt the Hunter”, I’m surprised they never did it in the real series.  Of course, if a vampire victim is autopsied by Natalie, she is likely to fake the cause of death at Nick’s request, for he will be all too aware of the danger to her if she doesn’t, and will convey this urgency to her (in graphic terms, if necessary, should she balk at falsifying official reports).  But what if someone else does the autopsy?  I initially wrote the Prologue and Act One—setting up the basic situation—but dropped the story at that point.  I suspect that many scriptwriters for the real TV series would just have followed up on problems in imposing the cover story, maybe making Dr. Springfield a Resistor.  But I felt that it was all too obvious what would have happened in that case, especially if LaCroix should be involved.  Instead, I wondered about the potential implications of the cover story itself.



Obviously, the scenes involving Vachon came after the original plot concept.  Nevertheless, I saw the parallel between the two fake cover stories (to the cause of death and to Nick’s sexual preference), long before I wrote the episode.  For some time, therefore, I had “Cover Story” slated to appear late in Season IV—or even in Season V, if I had decided to continue the Nick-is-gay subplot beyond this one year.  Then I thought of making “Cover Story” the season finale.  It seemed logical, since the episode finishes up the season’s major subplot.  For a while it was pegged in that slot.  But, when I had actually written it, it was obvious that it would never make a good finale.  There is neither a sense of closure (to end the season), nor a cliffhanger (to draw you back to watch the show next fall).






Continuity


    Despite Nick’s undoubted history with female suspects and witnesses, with the rumours that—one would think—would be inevitable, Tracy nevertheless seems not to have heard that Nick falls for pretty women involved in the cases he investigates.  If she had, she would presumably have been a lot less likely to have made the mistake of assuming Nick to be gay. Nick implicitly trusts the story of an attractive on-air pop psychologist

Two different instances in which Nick’s susceptibility to a woman in the case affects his judgment are cited in this episode.  In “Dead Air”, his attraction to an on-air pop psychologist inclined him to accept that a listener to her show was genuinely calling in from murder scenes, though Schanke and Stonetree suspected it to be simply a publicity Nick is suckered by a manipulative killer who is an attractive woman stunt.  In that instance, Nick’s instincts proved correct.  However, he insisted equally strongly in “Capital Offence” that a convicted murderer who had escaped from custody must have been innocent, and that it would be a miscarriage of justice to allow her to be extradited to Texas for execution.  In that episode, it turned out that he had been suckered into helping a calculating, manipulative killer.

    The news anchor, Mark Seymour, has appeared in several earlier episodes.

    In this episode, Janette clearly intends to attempt to turn Guillaume into a vampire; but it is unlikely that she would have succeeded.  After all, in the first season episode, “I Will Repay”, she reminded Nick that she had never managed to bring anyone across, that “too much the glutton”, she always drains them beyond the point where it remains possible for them to make the change to the vampire state.  Of course, there is another episode, “If Looks Could Kill”, in which we meet a woman who credits Janette with having brought her over; but we do not actually see the circumstances of her metamorphosis.  At any rate, Janette does not claim the skill.  So, despite her protestations that she would never hurt Guillaume, it seems likely that she would have killed him.





Miscellaneous


    It was never made explicit in the actual series, but it is surely implicit that the vampires of Forever Knight have retractable teeth.  Certainly Nick and the others do not manifest fangs except when excited or hungry.

    I mentioned in the Notes to “Daddy’s Girl” that I had originally envisaged a different flashback, but had to substitute something shorter.  The original idea was not, however, discarded.  In a curtailed form, it turned out to be appropriate for “Cover Story”.





Plot


    If Deacon is (as seems probable) another Homicide detective on the Toronto police force, then naturally Natalie knows him.  She will have given him autopsy results and other forensic evidence, just as she does Nick and Tracy.  She is not, after all, their own personal M.E., for all that it sometimes looks that way, given the show’s inevitable emphasis on the cases that Nick deals with.

    Nick talks to Reese, Deacon, and the police in Brampton; but he doesn’t hypnotize any of them.  Partly, this is because he hates to use hypnosis on fellow cops.  But it is also because none of these people actually has the sole decision.  If he can’t convince them through words, therefore, he would have to hypnotize all of them.  Indeed, at this point, he would also have to hypnotize the Crown Counsel who had decided there was sufficient evidence to justify an arrest, and everyone’s colleagues to boot.  A major endeavour, in other words.   Perhaps he would have done that next; but LaCroix gave him different advice; and he decided to follow that.

    This episode covers quite a lot of time.  The Prologue takes place a couple of days before Act One, since Natalie is away then.  Act One takes place about a month before Acts Two and Three, with Deacon’s investigation in the gap between.  During this time, Nick and Tracy not only pursue the cases in the earlier episodes in this season, but also two others.

    The pawn shop shooting is mentioned by Nick in the Prologue.  Presumably, it is still pending, or they solved it fairly quickly.   At any rate, it clearly didn’t merit its own episode.

    The Swenson case is being investigated by Nick and Tracy in Acts Two and Three.  This is probably a different case.  It is, after all, a month later.  But I have no idea what it is.

Furthermore, cases don’t go to trial immediately.  By the time it actually starts at the end of Act Four, both these investigations are long since over and done with—as much so as those detailed in the other episodes since Christmas.  Instead, Nick and Tracy have moved on to yet another homicide.

    The Geary case, for which we briefly see the autopsy report, is actually solved some time between this episode and the next.  We can be sure of this, since it is mentioned in the Prologue of Episode Twenty Two.

So when does the story start?   The twelfth of December.  And it continues, so to speak, until the airing date of this episode, probably some time in April.




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